It’s been awhile since I’ve written anything but a blog. Lately my life has been edit, edit, edit. Writing something new is like climbing back on a bike after falling off and getting a bad road rash. So far I’ve dragged out the vacuum cleaner, called my mother, and done the laundry. All blatant and transparent efforts to avoid getting on that old bike because it probably has flat tires and loose chains. Besides, I might not remember how to ride!
By the way, I trash-canned last week’s blog about taxes. Ick! Who wants to read about unjust tax burdens? Apparently no one as even my regular commenters were morbidly silent. Of course, not knowing about tax law is what got the main character in my still unnamed WIP into such dire straits. But the subject of taxes seems to turn readers off and I can understand why.
Regarding the afore-mentioned unnamed WIP, lately when I think about the story I hear a symphony – crashing, rebounding, weeping, laughing – full of tragedy and romance and the occasional light moment. But I don’t know anything about music (after five straight years of piano lessons, my instructor wouldn’t let me go near anything but a scale). So I called a friend who knows a lot more about
(Musical terms are beautiful, aren’t they?)
- A cappella – without instrumental accompaniment
- Ad libitum (ad lib) – the speed and manner of execution are left to the performer
- Appoggiatura – one of more grace notes that take up some note value of the next full note
- Arpeggiato – a way of playing a chord, starting with the lowest note and moving successively higher.
Glissando – a continuous sliding from one pitch to another, or an incidental scale executed while moving from one melodic note to another
- Augmented sixth – predominant function chords, resolving to the dominant. Chromatically altered subdominant chord
- Obbligato – required, indispensable
- Ostinato – obstinate, persistent
- Poco a poco – little by little
- Portamento – carrying; sliding in pitch from one note to another, usually pausing just above or below the final pitch, then sliding quickly to that pitch.
- Recitativo – one voice without accompaniment
- Rinforzando – reinforced, emphasized, often applied to a single note
- Ritornello – a recurring passage in the first or final movement of a solo concerto or aria
- Sense misura – to play without a beat, using time to measure how long it will take to play the bar
- Syncopation – a disturbance or interruption of the regular flow of downbeat rhythm, with emphasis on the sub-division
She felt Arpeggiato – a way of playing a chord, starting with the lowest note and moving successively higher – most fit the theme and tempo of UNNAMED. I’m leaning towards Recitativo – one voice without accompaniment.
Anyway, time to get on that bike and ride. Enjoy the symphony of your life, whether it be either Poco a poco or Sense misura or …