If I were a god …

Many years ago I read One Hundred Years of Solitude by Gabriel Garcia Marquez, a long book with a seemingly endless cast of characters. Generations are born, procreate and die and everything they’ve created is eventually devoured by fast-growing vines, mosses and fungi. Sounds depressing, doesn’t it? It would have been if Marquez had focused only on the world we can see and the realities we can comprehend but he didn’t. He combined the mundane with the mythical which is one of the many definitions of magical realism.

I was curious to see what Netflix would do with Marquez’ masterpiece, primarily because magical realism is one of the least understood of the literary genres. So far, it’s fairly dark and heavy on the realism. But it’s put me in mind of a book published by my friend Duke in 2019.

Duke’s book is far shorter but just as memorable as One Hundred Years of Solitude and the ebook is only $2.99.

Below are some reviews:

In Malverde Days Dylan Thomas exits Milkwood through a vortex and crash lands in the tropical, surreal town of Malverde on the opposite side of the planet. Here too, like their Welsh counterparts, the locals are restless, haunted by dreams that they would nail down if only they possessed a nail gun. In this surreal montage of life in a town cursed by violence death is never far. The pretty young woman in the ice cream shop is shot through the head while making a strawberry sundae. “Citizens of Malverde, do not worry”‘ announces the newspaper the next day. “They are only killing themselves.” Then there is Alice “the only woman who ever tried to kill me with a can opener, so I mourn her in my own way.” This is Duke Miller at his most incomparably irreverent self. His view of humanity is as bleak as the future, but we may as well go out laughing, or at least smiling, and Malverde Days delivers these moments in hallucinogenic spades.

Reviewed in the United States on July 26, 2019

Malverde Days will stop you in your tracks. “Wait! You need to re-read that part.” It’s heavy and yet translucent, letting in the light, illuminating those shadowy corners you feared as a child. And yet proposes that there are closets, dirt roads, alleys that end with your hand to your own throat.
Duke’s words must be savored. Take it easy. Take it slow. But take it.

Reviewed in the United States on July 29, 2019

Duke pulls no punches in this rich dense poetry. One piece made me cry. Another made me laugh out loud, something that words on a page rarely are able to do. Always his writing is worth returning to see how the words wash through your mind this time.

Reviewed in the United States on June 20, 2019

Malverde Days is part prose, part poetry and follows a group of disparate souls as they live, love, work and die beside each other in a sometimes magical, sometimes deadly town which feels south of the border although the exact location seems unimportant. I read many of the chapters on the author’s blog as they were randomly posted. But when I saw the cover I just had to buy the paperback. It’s a good thing I did because in the final product Miller has pulled together a group of blog posts (or cuttings as he calls them) into a plot stream that flows well. He also added a few pieces not posted on the blog that help readers get to know the characters and their motivations. It’s not a long book but you will want to read it again and again just to delight in Mr. Miller’s musical use of words and gentle depictions of even the most retched of souls.

Reviewed in the United States on July 22, 2019

I have both Malverde Days and Neil Gaimin’s bestseller American Gods on my Kindle, and was switching between them. Just realized I haven’t even opened American Gods in a week, because Malverde is so much more interesting, engaging, and enjoyable.

Tomorrow I’ll post some excerpts.

12 thoughts on “If I were a god …

  1. I just saw the first episode of One Hundred Years of Solitude on Netflix, and it was okay. I’ll keep watching it one episode at a time, but it’s definitely not one of those shows to binge-watch. I read the book twice, and it’s good, but like you said, it has a lot of characters and a lot going on.

    1. The Netflix series seems focused on being authentic to the times and culture … at least in as far as I’ve watched. And from what I’ve read that was important to Marquez and his family. It’s hard to capture something which is not two dimensional without making it seem like fantasy or sci-fi. Or in the Netflix representation – horror! But I will reserve judgement until I watch a bit more.

  2. Enticing, the writers literary talent at describing a novel, without disclosing. Maybe, I might find the book on kindle? library?

  3. I’ve seen the spoiler on Netflix. ‘Don’t think I’ll watch it. The book is too… immense. Read it “thrice”. first time in French when it came out. Then twice over the years in Spanish. My wife is Colombian I go almost every year to Colombia. Since 1978? Been a while. I have a very personal view of “magical realism”. There’s nothing magic. It’s all “real”, when one knows Colombia. The words he uses, the expressions, are just a faithful representation of what Colombia is: a country in another universe. Another plane. 😉

    Didn’t think I’d ramble that much…

    I’ll look Duke Miller up.

    Muchas gracias.

    Brian

    1. The world between life and death is often described as “grey” – in magical realism it’s colorful … whimsical while “reality” is grey. The Netflix version is brutal – at least as far as I watched. I haven’t any urge to keep watching I’m afraid. I’ve never been to Colombia but my neighbor was raised there – she wrote a book called A Place in the World which is set in Colombia and, because she is a naturalist and a geologist – her descriptions are quite lush. She used to maintain a blog: https://cindamackinnon.wordpress.com/ but these days is busy with saving our local creeks.

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