The Mighty Truckee’s Finer Ladies

Spring is really the best time to visit Reno Nevada.  The snow is just beginning to melt, meaning that the Truckee River is wild and dangerous and beautiful.

Above is the RiverWalk, a popular place on a sunny day.  As you can see off in the distance, there’s still plenty of snow to melt on the Sierra Nevada Mountains.

These two kayakers wisely chose to paddle to shore instead of attempting to run the set of engineered rapids downstream used for professional kayaking competitions.

Along the river some of Reno’s older and more interesting houses have managed to survive the ravages of the Mighty Truckee.


The building above was once an elementary school and now serves as a art center.

The Lear Theatre may not look like much but it has an interesting history.  It was designed by Paul Revere Williams who famously lamented that most of buildings he designed he could not enter. You see, he was the first African American to be honored by the Architectural Institute.

Before it was a theatre it was a church attended by the Moya Lear, the wife of William Powell Lear of Lear Jet fame. Besides being the wife of a brilliant man, she was also the daughter of vaudevillians and apparently thought the need for theatrics more important than the need for church and bought it. Unfortunately this building is not in the best part of town and they’ve had to surround it with a chain link fence to prevent vandalism.


Across the river and high on a hill sit decaying mansions once owned by the town’s prominent citizens. A few have been extensively remodeled but today people with money prefer to live far from Reno’s squalid old town with it’s pawn shops, casinos and bail bondsmen on every corner.

Above, for Norm Frampton’s ThursdayDoors extravaganza, is the one door I was able to get a clear shot of.

This rather gloomy building always brings bittersweet memories.  It is Saint Thomas Aquinas Cathedral where for years my best friend’s mother attended Mass every single morning and then wandered the streets ministering to the drunks sleeping it off in alleyways.  She spoke for God whose language she alone knew.

Here’s a better shot from Bing Images. It’s not Notre Dame, that’s for sure but then it’s not in Paris.  It’s two blocks from the El Dorado Casino and the heart of Sin City North (Reno’s nickname).

Voting from the Great Beyond

I haven’t been posting lately because I’ve been trying to finish the latest incarnation of Flipka into which I’ve rolled a sequel. Will the sequel answer many reader questions? I don’t know.  Will it be less wacky than the first of which one reviewer wrote:

 

The wacky, utterly unbelievable plot is, however, merely the vehicle for JT Twissel to demonstrate her enviable skill set.

All I can say is, I tried. But how can I write “believable” plots set in a state that elects dead pimps to govern? By a landslide, I might add. 

 

Meet your new legislature Nevada!

Was the other candidate so terrible that the fine citizens of Pahrump are going dig up a corpse and send it to the Nevada legislature?

 

According to this tweet, Dennis Hof, who wrote The Art of the Pimp and was known as the Trump of Pahrump, is going to vote from the “great beyond.”

I know Republicans in Nevada got massacred tonight, but my man Dennis Hof crushed his opponent from the great beyond in AD-36 & we crushed the anti-brothel initiative in Lyon County by about 80%. So pardon me, but I’m celebrating.

Fictional whores celebrating their dead pimp’s glorious victory!

I know those tea party folks have a few wacky ideas, like believing that Donald Trump is the second coming of Jesus Christ, but do they really think the Nevada legislature is going to allow a ghost to vote?  And, how am I going to fit this twist into one of the unbelievable plots of which I am so enviably skilled?

 

Why Nevada…

I was raised in Reno, Nevada, which I always thought I could put behind me, but you know how these things go. Nevada just keeps popping up in my writing, as a setting, a dreaded past, or even as a character.

First edition of FLIPKA, set primarily in rural Nevada

When you mention Nevada, most people think of Las Vegas.  And is it true, hundreds of contemporary novels have been set in Sin City and Sin City North (Reno). Apparently there are more than enough greedy millionaires, soulless gangsters, cunning thieves, pretty heiresses, hard-nosed detectives, and clueless tourists in those towns to satisfy a multitude of writers.

One of Nevada's many endless roads. It took almost an hour to get to the mountains on the horizon.
Somewhere between Fallon and Eureka. It took almost an hour to get to the mountains on the horizon.

However, there is another Nevada. Long straight lonely roads, dotted with the occasional town. Side roads leading to … well, just about anything.

And this Nevada has inspired the writers of science fiction and horror. Travelers trapped in isolated desert towns where they are toyed with by evil forces (Skin and Desolation), UFO encounters that lead to strange maladies and mental afflictions (Strangers), and doomsday thrillers generally involving the military or CIA.

I am no different.  When I think of rural Nevada, all of the above themes seem remarkably plausible to me.

Coming soon:  More about Nevada. Whorehouses, giant red-haired cannibals, the many uses of bat guano, and aliens, of course, aliens.  You can’t talk about Nevada without mentioning aliens.